hiiiiii. I followed you here from the #Seneca tag. I was wondering if I could ask you a couple of questions? I might move to Canada soon and I have to study something and Im having a REALLY TRULY HARD TIME figuring out what place is best and what courses to take? even doe I love Illustration, im kinda focusing on studying something that'll help me get fulltime jobs in Canada so I was wondering if you knew how good the Interactive Media Design program is? Can I ask you some questions?
Hi! Sorry about the late response. It was the last week of the semester so I had a lot of homework to do. Sure, I would be happy to answer any questions which you have about Seneca or Canada or whatever! Unfortunately I don’t know anything about the Interactive Media Design program and honestly hadn’t even heard of it before you sent me this ask.
However, I can tell you anything you want to know about the Independent Illustration program and the Art Fundamentals program and I know a bit about the Animation program as well. I get wanting to get fulltime jobs. The Animation industry is more based around long-term jobs but even those jobs don’t last forever. Once a show is done, you’ve got to go and find another job. Seneca also has a Graphic Design program and I believe that there are a lot of fulltime jobs for in-house graphic designers in Canada so maybe you should look into that.
Feel free to ask me any other questions that you have!
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hi there! I applied to seneca for illustration and I'm interested in hearing about the program is like. Mind telling me some info? :) Once you get the time. It would help me out a lot. I've been really uncertain about where to attend for illustration. I'm not interested in a 4yr bachelor course so this seems like my best option.
Hi. Sorry for not replying to you earlier but to start, the program is pretty intense and I wanted to give you a pretty detailed response. This is going to get long and ranty but hopefully it will be helpful for you. If you’re not interested in taking a 4 year course, then Seneca is a good option for you! There is a strong focus on getting people out of school and into the industry as soon as possible at Seneca. If you go through the summer then you can graduate in just over 1 year.
Somebody asked me how I choose colour schemes for things and how I go about digital painting. I spent a lot of time writing this so I thought I should post it here for everyone in case it helps anyone else. I can’t guarantee that this is all 100% accurate but I have been told that colour is my strongest skill and it’s information that I’ve cobbled together from picking the brains of my favourite artists and professors as well as by observing the colouring of my favourite colour artists like Kazu Kibuishi and Tyson Hesse.
I never choose colours randomly. There is always some thought put into it. There’s nothing wrong with trial and error of course but there are better ways of going about choosing colour schemes. How I would go about this would change depending on whether I’m working on a more representational piece or a more abstract piece. For abstract pieces just try complimentarty colours, analogous colours etc, and see what looks good.
Representational pieces are more complicated. Unless you’re working with traditional paint, which is even more complicated, never mix white into your colours to make things lighter or black into your colours to make things darker. When you shine a light on an object it becomes more saturated. White just desaturates colours. First you should start by choosing a colour for your light source. This colour needs to be mixed into every light area of every highlight. Then figure out what the dominent colour in the environment is. This colour should be mixed into all of the darker areas and shadows of your scene. For example, if the sky is blue and the scene is in a clearing then there should be blue in all of the shadows. But if the scene takes place in the middle of a green jungle then you would probably change that to green. If the scene takes place in a red room that would change to red, etc. The colours of things also changes depending on the transparency of objects. Trasparent objects react differently to light than other objects.
When it comes to digital painting, that’s not something I do a lot of. Most of the time I use solid colours when I colour my work but digital painting is just adding more lighting and blending to solid colours. Knowing everything that I mentioned above will help with digital painting. The other important thing to remember is to make sure that your values work because if your values aren’t believable then nothing else will be. I have digital painting class this semester so I’ll probably be learning a lot more about it.
Please send all of your submissions to us by midnight tomorrow (December 31st, 2013) to ensure that your work will be included in the next issue. Don’t freak out though, we won’t mind if you send us something a few minutes or even hours after midnight. As previously announced the theme for the…
The deadline for applications to The Seneca Collective is tomorrow at midnight but don’t sweat it. We don’t have too much stuff yet so we’ll probably have room for late applications.